MUSIC,
YOUR NEXT
INVESTMENT.
Invest in music works already in exploitation. You can aim for a share of the royalties paid by Spotify, Apple Music, Deezer & co, or a target yield paid every month.
Royalties collected on
The team & the investor
A team forged in the majors.
Platinum-certified producers and a strategic investor on the cap table. A team that knows the music business.

Cyril Braun
CEO · FOUNDER
Produced Eva Queen (platinum record, NRJ Music Awards) and Tayc. Founder of the label Aldam Production.

Romain Delnaud
COO · HEAD OF OPERATIONS
Former MD at Universal Music. Ex-head of operations at Universal Music Group International. Brings the institutional expertise of the majors.

Éric Larchevêque
STRATEGIC INVESTOR
Co-founder of Ledger. He believed in Dibsteur and joined the cap table to support the platform. Also runs NVST, his investor club.
Éric Larchevêque is a personal shareholder in Dibsteur.
Three ways to invest.
Choose the strategy that matches your profile and your horizon.
The back catalogue.
You finance the advance paid to an artist on an existing catalogue. In return, a fixed yield contractually defined at subscription, paid every month.
An artist's new album.
Finance the release of a new album and receive a share of its net revenue over 7 years of exploitation.
The artist pool.
A basket of catalogues selected by Dibsteur. Automatic risk diversification.
Risk: Investing carries a risk of partial or total loss of capital. Yields are not guaranteed: on the fixed yield, capital remains exposed to issuer default; on the revenue share, payments depend on actual performance and may be low or nil. Pooling reduces volatility without eliminating risk.
Streaming has become
an asset class.
Each listen generates a royalty. Multiplied by billions of daily streams, these royalties form a recurring revenue driven by the structural growth of audio.
Historical market data (sources IFPI / Midia Research 2024). Past performance does not predict future results. Investing carries a risk of capital loss.
How it works.
An artist releases their music
Their catalogue is distributed on Spotify, Deezer, Apple Music and over 15 platforms.
Streams generate revenue
Each listen produces royalties. Revenue varies with actual listens and can be nil.
You receive your share
You receive a share proportional to the revenue actually collected, paid on the contractual schedule.
Regulatory framework
The framework in which
Dibsteur Invest operates.
Issuer
Offers are issued by Dibsteur Investissement SA (RCS Nice).
Information document
A Key Information Document is made available before each issuance, in accordance with applicable regulation. The offer does not give rise to a prospectus.
Nature of information
Information published on this site constitutes neither investment advice nor a personalised recommendation within the meaning of MiFID II.
Bonds notice
Investing in bonds carries a risk of total loss of capital in case of issuer default, for a gain expectation limited to the yield possibly received. The higher the targeted yield, the greater the risk of capital loss or unpaid interest.
Registration numbers and official references to be completed at the launch of the first issuance.
The Dibsteur Invest app.
Track your tracks, your streams, your royalties, and trigger your next investments from your phone.
Illustrative interface. Displayed data non-contractual · simulation.
We answer your questions.
Risks, fees, taxation, mechanics: everything to know before investing.
Investing in music catalogues carries a risk of partial or total loss of capital. On bond products, the main risk is issuer default, in which case the loss can be total. On variable-yield products, revenue depends on the actual performance of the work and can be low or nil. The higher the targeted yield, the greater the associated risk. Dibsteur frames these risks through a thorough analysis of each deal, contractual structuring and a Key Information Document made available before each issuance.
Music,
your next investment.
Enjoy a fixed yield on back catalogues or a share of net revenue on new releases.